Mosque of Amr ibn al-As

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The Mosque of Amr ibn al-As (Arabic: جامع عمرو بن العاص‎), also called the Mosque of Amr, was originally built in AD 642, as the center of the newly-founded capital of Egypt, Fustat. The original structure was the first mosque ever built in Egypt, and by extension, the first mosque on the continent of Africa.




The location for the mosque was the site of the tent of the commander of the conquering army, general Amr ibn al-As. One corner of the mosque contains the tomb of his son, Abdullah. Due to extensive reconstruction over the centuries, nothing of the original building remains, but the rebuilt Mosque is a prominent landmark, and can be seen in what today is known as "Old Cairo". It is an active mosque with a devout congregation, and when prayers are not taking place, it is also open to visitors and tourists.

Location
According to tradition, the original location was chosen by a bird. Amr ibn al-As, by order of Caliph Umar, was the first Arab conqueror of Egypt. In 641, before he and his army attacked the capital city of Alexandria (at the northwestern part of the Nile river delta), Amr had set up his tent on the eastern side of the Nile, at the southern part of the delta. As the story is told, shortly before Amr set off to battle, a dove laid an egg in his tent. When Amr returned victorious, he needed to choose a site for a new capital city, since Umar had decreed that it could not be in far-away Alexandria. So Amr declared the site of the dove's egg sacred, and made it the center of his new city, Fustat, or Misr al-Fustat, "City of the Tents". Later, the Mosque of Amr was built on the same location.
Structure
The original layout was a simple rectangle, 29 meters in length by 17 meters wide. It was a low shed with columns made from split palm tree trunks, stones and mud bricks, covered by a roof of wood and palm leaves. The floor was of gravel. Inside the building the orientation toward Mecca was not noted by a concave niche like it would be in all later mosques. Instead four columns were used to point out the direction of mecca, and were inserted on the qibla wall. It was large enough to provide prayer space for Amr's army, but had no other adornments, and no minarets.

It was completely rebuilt in 673 by Mu'awiya, who added four minarets to each of the mosque's corners and doubled its area in size. The addition of these minarets allowed the call to prayer to be heard from every corner, and taken up by other nearby mosques. Abd al-Aziz ibn Marwan added an extension to the mosque in 698 and once again doubled the mosque's area. In 711 a concave prayer niche was added to replace the flat one. In 827, it had seven new aisles built, parallel to the wall of the qibla, the direction that Muslims were to face during prayer. Each aisle had an arcade of columns, with the last column in each row attached to the wall by means of a wooden architrave carved with a frieze.
In 827, Abd Allah ibn Tahir made more additions to the mosque. It was enlarged to its present size, and the southern wall of the present day mosque was built.
In the 9th century, the mosque was extended by the Abbasid Caliph Al Mamoun, who added a new area on the southwest side, increasing the mosque's dimensions to 120m x 112m.
At a point during the Fatamid era, the mosque had five minarets. There were four, with one at each corner, and one at the entrance. However, all five are now gone. The current Minarets were built by Mourad Bey in 1800. Also, the Fatimid Caliph al-Mustansir added a silver belt to the prayer niche which was eventually removed by Saladin when the mosque was restored after the fire in Fustat

In 1169, the city of Fustat and the mosque were destroyed by a fire that was ordered by Egypt's own vizier Shawar, who had ordered its destruction to prevent the city from being captured by the Crusaders. After the Crusaders were expelled, and the area had been conquered by Nur al-Din's army, Saladin took power, and had the mosque rebuilt in 1179. During this time Saladin had a belvedere built below a minaret.

In the 14th, century Burhan al-Din Ibrahim al-Mahalli paid the costs of restoring the mosque. In 1303, Amir Salar restored the mosque after an earthquake. He also added a stucco prayer niche for the outer wall of the mosque, which is now gone.

In the 18th century one of the Mamluk leaders, Mourad Bey, destroyed the mosque because of dilapidation and rebuilt it in 1796, before the arrival of Napoleon's French Expedition to Egypt. Mourad decreased the number of rows of columns from seven to six, and changed the orientation of the aisles to make them perpendicular to the qibla wall. It was also probably at this time that the current remaining minarets were added. In 1875, the mosque was again rebuilt by Muhammad Ali of Egypt. In the 20th century, during the reign of Abbas Helmi II, the mosque underwent another restoration. Parts of the entrance were reconstructed in the 1980s.

The only part of the mosque's older structure which can still be seen are some of the architraves, which can be viewed along the southern wall of the Mosque. These were probably added during reconstruction in 827.



Karnak

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The Karnak Temple Complex — usually called simply Karnak — comprises a vast conglomeration of ruined temples, chapels, pylons and other buildings, notably the Great Temple of Amen and a massive structure begun by Pharaoh Amenhotep III (ca. 1391-1351 BC). It is located near Luxor, some 500 km south of Cairo, in Egypt. The area around Karnak was the ancient Egyptian Ipet-isut ("The Most Selected of Places") and the main place of worship of the Theban Triad with the god Amun as its head. It is part of the monumental city of Thebes. The Karnak complex takes its name from the nearby (and partly surrounded) modern village of el-Karnak, some 2.5 km north of Luxor.




Overview
The complex is a vast open-air museum and the largest ancient religious site in the world. It is probably the second most visited historical site in Egypt, second only to the Giza Pyramids near Cairo. It consists of four main parts (precincts), of which only the largest, the Precinct of Amun-Re, is open to the general public. The term Karnak is often understood as being the Precinct of Amun-Re only, as this is the only part most visitors normally see. The three other parts, the Precinct of Montu, the Precinct of Mut and the dismantled Temple of Amenhotep IV, are closed to the public. There also are a few smaller temples and sanctuaries located outside the enclosing walls of the four main parts, as well as several avenues of human and ram-headed sphinxes connecting the Precinct of Mut, the Precinct of Amun-Re, and Luxor Temple.

The key difference between Karnak and most of the other temples and sites in Egypt is the length of time over which it was developed and used. Construction of temples started in the Middle Kingdom and continued through to Ptolemaic times. Approximately thirty pharaohs contributed to the buildings, enabling it to reach a size, complexity, and diversity not seen elsewhere. Few of the individual features of Karnak are unique, but the size and number of features are overwhelming.

One of most famous aspects of Karnak, is the Hypostyle Hall in the Precinct of Amun-Re, a hall area of 50,000 sq ft (5,000 m2) with 134 massive columns arranged in 16 rows. 122 of these columns are 10 meters tall, and the other 12 are 21 meters tall with a diameter of over three meters. The architraves on top of these columns weigh an estimated 70 tons. These architraves may have been lifted to these heights using levers. This would be an extremely time-consuming process and would also require great balance to get to such great heights. A common alternative theory is that there were large ramps made of sand mud brick or stone and the stones were towed up the ramps. If they used stone for the ramps they would have been able to build the ramps with much less material. The top of the ramps would presumably have either wooden tracks or cobblestones to tow the megaliths on. There is an unfinished pillar in an out of the way location that indicated how they finished it. The finish carving was done after the drums were put in place.Several experiments moving megaliths with ancient technology were done at other locations - some of them are listed here.
In 2009 UCLA launched a website dedicated to virtual reality digital reconstructions of the Karnak complex and other resources.

History
The history of the Karnak complex is largely the history of Thebes. The city does not appear to have been of any significance before the Eleventh Dynasty, and any temple building here would have been relatively small and unimportant, with any shrines being dedicated to the early god of Thebes, Montu. The earliest artifact found in the area of the temple is a small, eight-side from the Eleventh Dynasty, which mentions Amun-Re. Amun (sometimes called Amen) was long the local god of Thebes. He was identified with the Ram and the Goose. The Egyptian meaning of Amen is "hidden" or the "hidden god".[4]

Major construction work in the Precinct of Amun-Re took place during the Eighteenth dynasty. Thutmose I erected an enclosure wall connecting the Fourth and Fifth pylons, which comprise the earliest part of the temple still standing in situ. Construction of the Hypostyle Hall may have also began during the eighteenth dynasty, though most building was undertaken under Seti I and Ramesses II. Almost every Pharaoh added something to the temple. Merenptah commemorated his victories over the Sea Peoples on the walls of the Cachette Court, the start of the processional route to the Luxor Temple.

The last major change to Precinct of Amun-Re's layout was the addition of the first pylon and the massive enclosure walls that surround the whole Precinct, both constructed by Nectanebo I.
In 323 AD, Constantine the Great recognised the Christian religion, and in 356 ordered the closing of pagan temples throughout the empire. Karnak was by this time mostly abandoned, and Christian churches were founded amongst the ruins, the most famous example of this is the reuse of the Festival Hall of Thutmose III's central hall, were painted decorations of saints and Coptic inscriptions can still be seen.

European knowledge of Karnak

Thebes’ exact placement was unknown in medieval Europe, though both Herodotus and Strabo give the exact location of Thebes and how long up the Nile one must travel to reach it. Maps of Egypt, based on the 2nd century Claudius Ptolemaeus' mammoth work Geographia, have been circling in Europe since the late 14th century, all of them showing Thebes’ (Diospolis) location. Despite this, several European authors of the 15th and 16th century who visited only Lower Egypt and published their travel accounts, like Joos van Ghistele or André Thévet, put Thebes in or close to Memphis.
The Karnak temple complex is first described by an unknown Venetian in 1589, though his account relates no name for the complex. This account, housed in the Biblioteca Nazionale Centrale di Firenze, is the first known European mention since ancient Greek and Roman writers of a whole range of monuments in Upper Egypt and Nubia, including Karnak, Luxor temple, Colossi of Memnon, Esna, Edfu, Kom Ombo, Philae and others.
Karnak ("Carnac") as a village name, and name of the complex, is first attested in 1668, when two capuchin missionary brothers Protais and Charles François d'Orléans travelled though the area. Protais’ writing about their travel was published by Melchisédech Thévenot (Relations de divers voyages curieux, 1670s-1696 editions) and Johann Michael Vansleb (The Present State of Egypt, 1678).
The first drawing of Karnak is found in Paul Lucas' travel account of 1704, (Voyage du Sieur paul Lucas au Levant). It is rather inaccurate, and can be quite confusing to modern eyes. Lucas travelled in Egypt during 1699-1703. The drawing shows a mixture of the Precinct of Amun-Re and the Precinct of Montu, based on a complex confined by the three huge Ptolemaic gateways of Ptolemy III Euergetes / Ptolemy IV Philopator, and the massive 113m long, 43m high and 15m thick, first Pylon of the Precinct of Amun-Re.
Karnak was visited and described in succession by Claude Sicard and his travel companion Pierre Laurent Pincia (1718 and 1720-21), Granger (1731), Frederick Louis Norden (1737-38), Richard Pococke (1738), James Bruce (1769), Charles-Nicolas-Sigisbert Sonnini de Manoncourt (1777), William George Browne (1792-93), and finally by a number of scientists of the Napoleon expedition, including Vivant Denon, during 1798-1799. Claude-Étienne Savary describes the complex rather detailed in his work of 1785; especially in light that it is a fictional account of a pretended journey to Upper Egypt, composed out of information from other travellers. Savary did visit Lower Egypt in 1777-78, and published a work about that too.


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Baron Empain Palace

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Édouard Louis Joseph, Baron Empain (20 September 1852 - 22 July 1929) was a wealthy Belgian engineer, entrepreneur, financier and industrialist, as well as an amateur Egyptologist.

Early life
Empian was born at Belœil, Belgium, and was the son of schoolteacher François Julien Empain and his wife Catherine (née Solivier). He went into business with his brother, Baron François Empain and other family members, and amassed a great fortune.


Empain began his career a draughtsman at a metallurgical company, Société métallurgique, in 1878, and became involved in railway construction when he noticed that transport infrastructure in the countryside was inadequate. After success in Belgium with the Liege-Jemeppe line, his companies developed several railway lines in France, including the creation of the Paris Métro.





Because he felt that he depended too much on the banks for his industrial plans, in 1881 he founded his own bank, Banque Empain, which later became the Belgian Industrial Bank ("Banque Industrielle Belge"). The Empain group of companies expanded greatly throughout the 1890s, constructing electric urban tramlines in Europe, Russia, China, the Belgian Congo, and in Cairo, Egypt. Desiring to also be independent of electricity producers, Empain also was involved in forming a number of electricity companies to power his projects

Baron Empain at Egypt
Édouard Empain arrived in Egypt in January 1904, intending to rescue one of the projects of his company S.A. des Chemins de Fer de la Basse-Egypte; being the construction of a railway line linking Mansourah (on the Nile river) to Matariya (on the far side of Lake Menzaleh from Port Said).Despite losing the railway contract to the British, Empain stayed on in Egypt; a decision due to his love of the desert and his relationship with Yvette Boghdadli
In 1906, Empain established the Cairo Electric Railways and Heliopolis Oases Company, which bought a very large stretch of desert (25 square kilometres) to the northwest of Cairo at a low price from the colonial government.Commencing in 1906-07 this company proceeded with the building of the new town of Heliopolis, in the desert ten kilometers from the center of Cairo. It was designed as a "city of luxury and leisure", with broad avenues and equipped with all necessary conveniences and infrastructure; water, drains, electricity, hotel facilities, such as the Heliopolis Palace Hotel (now the presidential palace of Hosni Mubarak) and Heliopolis House, and recreational amenities including a golf course, racetrack and park. In addition, there was housing for rent, offered in a range of innovative design types targeting specific social classes with detached and terraced villas, apartment buildings, tenement blocks with balcony access and workers' bungalows.
The reverse side of Baron Empain Palace (Qasr Al Baron) in Heliopolis, CairoToday, Baron Empain is perhaps best known by modern visitors to Egypt for the building of a palace (the Palais Hindou) in the Avenue des Palais (renamed Orouba Avenue in the Nasser era) Heliopolis, Egypt. Inspired by Angkor Wat in Cambodia and the Hindu temples of Orissa,[citation needed] it was designed by French architect Alexandre Marcel (1860-1928) and decorated by Georges-Louis Claude (1879-1963), with construction being completed in 1911.
In 1905, Empain assisted the Belgian government in the purchase of an Old Kingdom mastaba for the royal museum in Brussels, of which he was a benefactor. In 1907 he received the title of Baron, and also suggested to Belgian Egyptologist Jean Capart that he excavate at Heliopolis, where his building constructions were underway. He also made it possible for Capart to acquire some fine ancient artefacts for the Brussels Museum
Later life
During World War I he was given the rank of general and directed armaments production at Paris and Le Havre for the Belgian army.

He died at Woluwe, Belgium, and was buried under the Our Lady of Heliopolis Basilica (known as La Basilique Notre-Dame d'Héliopolis.)

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Saint Catherine's Monastery, Mount Sinai

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Saint Catherine's Monastery (Greek: Μονὴ τῆς Ἁγίας Αἰκατερίνης) lies on the Sinai Peninsula, at the mouth of an inaccessible gorge at the foot of Mount Sinai in Saint Katherine city in Egypt. The monastery is Greek Orthodox and is a UNESCO World Heritage Site. According to the UNESCO report (60100 ha / Ref: 954) and website hereunder, this monastery has been called the oldest working Christian monastery in the world – although the Monastery of Saint Anthony, situated across the Red Sea in the desert south of Cairo, also holds claim to that title.
The oldest record of monastic life at Sinai comes from the travel journal written in Latin by a woman named Egeria about 381-384. She visited many places around the Holy Land and Mount Sinai, where, according to the Hebrew Bible, Moses received the Ten Commandments from God.
The monastery was built by order of Emperor Justinian I between 527 and 565, enclosing the Chapel of the Burning Bush ordered to be built by Helena, the mother of Constantine I, at the site where Moses is supposed to have seen the burning bush; the living bush on the grounds is purportedly the original. It is also referred to as "St. Helen's Chapel." The site is sacred to Judaism, Christianity and Islam.





Though it is commonly known as Saint Catherine's, the full, official name of the monastery is, The Sacred and Imperial Monastery of the God-Trodden Mount of Sinai, and the patronal feast of the monastery is the Transfiguration. The site was associated with Saint Catherine of Alexandria (whose relics were purported to have been miraculously transported there by angels) and it became a favorite site of pilgrimage.

Catherine of Alexandria was a Christian martyr initially sentenced to death on the wheel. However, when this failed to kill her, she was beheaded. According to tradition, angels took her remains to Mount Sinai. Around the year 800, monks from the Sinai Monastery found her remains.
A Fatimid mosque was built within the walls of the monastery, but it has never been used since it is not correctly oriented towards Mecca.
During the seventh century, the isolated Christian anchorites of the Sinai were eliminated: only the fortified monastery remained. The monastery is still surrounded by the massive fortifications that have preserved it. Until the twentieth century, access was through a door high in the outer walls. From the time of the First Crusade, the presence of Crusaders in the Sinai until 1270 spurred the interest of European Christians and increased the number of intrepid pilgrims who visited the monastery. The monastery was supported by its dependencies in Egypt, Palestine, Syria, Crete, Cyprus and Constantinople.
The monastery is depicted as a scene on the back panel of the Modena Triptych by El Greco.


About the monastery

The monastery library preserves the second largest collection of early codices and manuscripts in the world, outnumbered only by the Vatican Library. Its strength lies in Greek, Arabic, Armenian, Hebrew, Georgian, Syriac and old Udi texts. The Codex Sinaiticus, now in the British Library, left the monastery in the 19th century for Russia, in circumstances that are now disputed.
The complex houses irreplaceable works of art: mosaics, the best collection of early icons in the world, many in encaustic, as well as liturgical objects, chalices and reliquaries, and church buildings. The large icon collection begins with a few dating to the 5th (possibly) and 6th centuries, which are unique survivals, the monastery having been untouched by Byzantine iconoclasm, and never sacked. The oldest icon on an Old Testament theme is also preserved there. A project to catalogue the collections has been ongoing since the 1960s.
The monastery along with several dependencies in the area constitute the entire Orthodox Church of Mount Sinai, headed by an archbishop, who is also the abbot of the monastery. The exact administrative status of the church within Eastern Orthodoxy is ambiguous: by some, including the church itself,  it is considered autocephalous, by others an autonomous church under the jurisdiction of the Greek Orthodox Church of Jerusalem.The archbishop is traditionally consecrated by the Orthodox Patriarch of Jerusalem; in recent centuries he has usually resided in Cairo. During the period of the Crusades, marked by bitterness between the Orthodox and Catholic churches, the monastery was patronized by both the Byzantine Emperors and the rulers of the Kingdom of Jerusalem, and their respective elites. The monastery was an important centre for the development of the hybrid style of Crusader art, and still retains over 120 icons created in the style, by far the largest collection in existence. Many were evidently created by Latins, probably monks, based in or around the monastery in the 13th century. Prior to September 1, 2009, a previously unseen fragment of Codex Sinaiticus was discovered in the monastery's library.


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Nilometer

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A Nilometer is a means (typically a structure) for measuring the water level of the Nile river during the annual flood season.
 Between June and September, the reaches of the Nile running through Egypt would burst their banks and cover the adjacent flood plain. When the waters receded, around September or October, they left behind a rich alluvial deposit of exceptionally fertile black silt over the croplands. The inundation – akhet in the Egyptian language – was one of the three seasons into which the Ancient Egyptians divided their years. (See Season of the Inundation.)




It would be difficult to overstate the importance of the annual flood to Egyptian civilization. A moderate inundation was a vital part of the agricultural cycle; however, a lighter monsoon than normal would cause famine, and too much flood water would be equally disastrous, washing away much of the infrastructure built on the flood plain. Records from Pharaonic times indicate that on average, one year of out every five saw an inundation that was either over-abundant or fell short of expectations.

The ability to predict the volume of the coming inundation was part of the mystique of the Ancient Egyptian priesthood. The same skill also played a political and administrative role, since the quality of the year's flood was used to determine the levels of tax to be paid, in kind, by the peasantry to their rulers. This is where the nilometer came into play, with priests monitoring the day-to-day level of the river and announcing the awaited arrival of the summer flood.

The simplest nilometer design is a vertical column submerged in the waters of the river, with marked intervals indicating the depth of the water. One that follows this simple design, albeit housed in an elaborate and ornate stone structure, can still be seen on the island of Rhoda in central Cairo. While this nilometer dates only as far back as AD 861, when the Abbasid caliph al-Mutawakkil ordered its construction, it was built on a site occupied by an earlier specimen.

The second nilometer design comprises a flight of stairs leading down into the water, with depth markings along the walls.

The best known example of this kind can be seen on the island of Elephantine in Aswan. This location was also particularly important, since for much of Egyptian history Elephantine marked Egypt's southern border and was therefore the first place where the onset of the annual flood was detected.

The most elaborate design involved a channel or culvert that led from the riverbank – often running for a considerable distance – and then fed a well, tank, or cistern. These nilometer wells were most frequently located within the confines of temples, where only the priests and rulers were allowed access. A particularly fine example, with a deep, cylindrical well and a culvert opening in the surrounding wall, can be seen at the Temple of Kom Ombo to the north of Aswan.

While nilometers originated in Pharaonic times, they continued to be used by the later civilizations that held sway in Egypt. In the 20th century, the Nile's annual inundation was first greatly checked, and then eliminated entirely, with the construction of the Aswan dams. While the Aswan High Dam's impact on Egypt and its agriculture has been controversial for other, more complex reasons, it has also had the additional effect of rendering the nilometer obsolete.
 
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Gayer-Anderson Museum

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The Gayer-Anderson Museum is located in Cairo, Egypt, adjacent to the Mosque of Ahmad ibn Tulun in the Sayyida Zeinab neighborhood. The museum takes its name from Major R.G. Gayer-Anderson Pasha, who resided in the house between 1935 and 1942 with special permission from the Egyptian Government. It is noted for being one of the best preserved examples of 17th century domestic architecture left in Cairo, and also for Gayer-Anderson's vast collection of furniture, carpets, curio, and other objects.




The museum consists of two houses built using the outer wall of the Mosque of Ibn Tulun as support. The larger house, located to the east (the outermost side in relation to the mosque) was built in 1632 (1041 AH) by Hajj Mohammad ibn al-Hajj Salem ibn Galman al-Gazzar. It later came into the possession of a wealthy Muslim woman from Crete, and the home became popularly known as Beit al-Kritliyya, or "House of the Cretan Woman." The second house, to the west (the innermost side in relation to the mosque) was built in 1540 (947 AH) by Abdel-Qader al-Haddad. It later became known as "Beit Amna bint Salim," after its last owner. The two houses were joined by a bridge at the third floor level at an unknown point, and are both collectively known as Beit al-Kritliyya.


The construction of private homes against the outer wall of a mosque was common practice, with access to both the homes and mosque via narrow streets. It was reported that in the early 20th century, the mosque of Ibn Tulun could not be seen from the outside due to the houses. In 1928 the Egyptian government began to clear the homes, many of which were in very poor condition, away from the mosque as part of a plan to make important Islamic monuments more accessible. The Committee for the Conservation of Arab Monuments objected to the demolition of Beit al-Kritliyya, however, on the grounds that the home was extraordinarily well preserved. The home was kept intact, and repairs were made to the side walls to strengthen them after the neighboring houses were torn down.

In 1935, Major Gayer-Anderson, a retired collector and self-described Orientalist, was granted permission to reside in the house, which had just been restored. Gayer-Anderson oversaw the installation of electricity and plumbing, and the restoration of fountains, pavements, and other parts of the interior of the home. He populated the building with his personal collection of art, furnishings, and carpets. In 1942, Gayer-Anderson was forced by ill health to leave Egypt, and he gave the contents of the house to the Egyptian government. King Farouk gave him the title of Pasha in return. Gayer-Anderson died in England in 1945, and is buried in Lavenham, Suffolk.


The James Bond film The Spy Who Loved Me was partially shot in the museum, in the ceremonial reception hall and the rooftop terrace.


Legends of the house

A number of legends are associated with the Beit al-Kritliyya, which were collected by Gayer-Anderson and published as Legends of the House of the Cretan Woman (see sources).

Among the legends are:
- The house was built on the remnants of an ancient mountain called Gebel Yashkur, the "Hill of Thanksgiving." It is believed that this is where Noah's Ark came to rest after the Deluge described in both the Bible and Qur'an, and that the last of the floodwater was drained through the well in the courtyard of the house;
- Moses was spoken to by God on this spot;
- The house is protected by a shaykh, Haroun al-Husseini, who is buried under one of the corners of the house. He is said to have blinded three men who attempted to rob the house, who stumbled around the house for three days and nights until they were finally caught;

- The well in the house is said to possess miraculous qualities - for example, a lover gazing into the water would see the face of his or her sweetheart instead of his/her own reflection.

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Beit El Sehemy ( House of Sehemy)

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The Sehemy house is located on mu’iz le din allah street in fatimid, cairo (a section of the old islamic cairo). it was built on an area of 2100 square meters and consists of halls, rooms, corridors and courts totalling 115 spaces.



The oldest section was built by abdel wahab el tablawy in 1648 a.d. The house was purchased in 1796 by sheikh ahmed as-suhaymi, who extended it by integrating several of the adjacent houses.


The house is a cairene house from the ottoman period with strictly separated public (salamlik) and private spaces (haramlik).




In addition to the open spaces, the salamlik included the takhtabush (a large benched area which opens onto the courtyard like a hall (iwan) where business transactions were carried out in the morning), the second-story (maq’ad) or loggia (an informal reception area used usually in the evenings), and the (qa’a) (the formal reception hall).


The haramlik section, which includes a qa’a, or reception hall, as well as private apartments and a bath, is located above the ground floor and is reached by a separate flight of stairs in the courtyard.


The domed structure in the garden was originally a mausoleum; it was moved from its original location near the bab al-khalq after 1952.


nowadays bayt el suhaymi, especially after its restoration process, is the best example of a rich private house dating to seventeenth century egypt. The house also demonstrates a lot about the art of the period and how people used to live in the ottoman period.


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Hurghada

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Hurghada (ar.: Al Ghardaqah, الغردقة) is a city in the Red Sea Governorate of Egypt. It is a tourist center located on the Red Sea coast.


The city was founded in the early 20th century, and since the 1980s has been continually enlarged by Egyptian and foreign investors to become the leading seashore resort on the Red Sea. Holiday villages and hotels provide aquatic sport facilities for sailboarders, yachtsmen, scuba divers and snorkelers.




Hurghada stretches for about 36 kilometres (22 mi) along the seashore, and it does not reach far into the surrounding desert. The resort is a destination for Egyptian tourists from Cairo, the Delta and Upper Egypt, as well as package holiday tourists from Europe, notably Italians, Russians, Poles, Czechs and Germans. Until a few years ago it was a small fishing village. Today Hurghada counts 248,000 inhabitants and is divided into three parts: Downtown (El Dahar) is the old part; Sekalla is the city center, and El Memsha (Village road) is the modern part. Sakkala is the relatively modest hotel quarter. Dahar is where the town's largest bazaar, the post office and the long-distance bus station are situated.

The city is served by the Hurghada International Airport with scheduled passenger traffic to and from Cairo and direct connections with several cities in Europe. The airport has undergone massive renovations to accommodate rising traffic. Hurghada is known for its watersports activities, nightlife and warm weather. Daily temperature hovers round 30 degrees Celsius most of the year. Numerous Europeans spend their Christmas and New Year holidays in Hurghada, primarily Germans and Italians

Aquatic Sports

Hurghada has become an international center for aquatic sports like windsurfing, kiting, sailing, deep-sea fishing, swimming, and above all snorkeling and diving. The offshore reefs are considered some of the finest in the world. The warm waters here are ideal for many varieties of fish and coral, which may also be observed from a glass bottom boat.


The city provides a gateway to diving sites throughout the Red Sea, owing to its central location. In addition, Hurghada is known for providing access to many uninhabited offshore reefs and islands

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Sphinx

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A sphinx (Ancient Greek: Σφίγξ / Sphinx, sometimes Φίξ /Phix) is a mythological figure which is depicted as a recumbent lion with a human head. It has its origins in sculpted figures of Old Kingdom Egypt, to which the ancient Greeks applied their own name for the male monster, the "strangler", an archaic figure of Greek mythology. Similar creatures appear throughout South and South-East Asia. In European decorative art, the sphinx enjoyed a major revival during the Renaissance. Later, the sphinx image, something very similar to the original Egyptian concept, was exported into many other cultures, albeit often interpreted quite differently due to translations of descriptions of the originals and the evolution of the concept in relation to other cultural traditions.





Generally the role of sphinxes was as temple guardians; they were placed in association with architectural structures such as royal tombs or religious temples. The oldest known sphinx was found in Gobekli Tepe, Turkey and was dated to 9,500 B.C.[1] Perhaps the first sphinx in Egypt was one depicting Hetepheres II, of the fourth dynasty that lasted from 2723 to 2563 BC. The largest and most famous is the Great Sphinx of Giza, Arabic: أبو الهول, sited at the Giza Plateau on the west bank of the Nile River and facing due east, is also from the same dynasty (29°58′31″N 31°08′15″E / 29.97528°N 31.1375°E / 29.97528; 31.1375). Although the date of its construction is uncertain, the head of the Great Sphinx now is believed to be that of the pharaoh Khafra.
 What names their builders gave to these statues is not known. At the Great Sphinx site, the inscription on a stele erected a thousand years later, by Thutmose IV in 1400 BCE, lists the names of three aspects of the local sun deity of that period, Khepera - Rê - Atum. The inclusion of these figures in tomb and temple complexes quickly became traditional and many pharaohs had their heads carved atop the guardian statues for their tombs to show their close relationship with the powerful deity, Sekhmet.
 Other famous Egyptian sphinxes include one bearing the head of the pharaoh Hatshepsut, with her likeness carved in granite, which is now in the Metropolitan Museum of Art in New York, and the alabaster sphinx of Memphis, currently located within the open-air museum at that site. The theme was expanded to form great avenues of guardian sphinxes lining the approaches to tombs and temples as well as serving as details atop the posts of flights of stairs to very grand complexes. Nine hundred with rams' heads, representing Amon, were built in Thebes, where his cult was strongest.


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Cairo at night

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Cairo is the capital of Egypt, and the third largest city in Africa, and the Arab World, as well as one of the most densely-populated cities in the world. Nicknamed "The City of a Thousand Minarets" for its preponderance of Islamic architecture, Cairo has long been a center of the region's political and cultural life. Even before Cairo was established in the tenth century, the land composing the present-day city was the site of national capitals whose remnants remain visible in parts of Old Cairo. Cairo is also associated with Ancient Egypt due to its proximity to the Great Sphinx and the pyramids in adjacent Giza.




Egyptians today often refer to Cairo as Maṣr (Arabic: مصر‎), the Egyptian Arabic pronunciation of the name for Egypt itself, emphasizing the city's continued role in Egyptian influence. Cairo has the oldest and largest film and music industries in the Arab World, as well as the world's second-oldest institution of higher learning, al-Azhar University. Many international media, businesses, and organizations have regional headquarters in the city, and the Arab League has been based in Cairo for most of its existence.

With a population of 6.8 million spread over 214 square kilometers (83 sq mi), Cairo is by far the largest city in Egypt. With an additional ten million inhabitants just outside the city, Cairo resides at the center of the largest metropolitan area in Africa and the eleventh-largest urban area in the world. Cairo, like many large cities in developing countries, suffers from high levels of pollution and traffic, but its metro – currently the only on the African continent – also ranks among the fifteen busiest in the world, with over 700 million passenger rides annually.


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The Citadel of Saladin (EL-Qala)

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The construction of the Citadel of Saladin was started by King Saladin in 1170 A.D, and completed by his brother, King El-Addel.

It is located on a high hill that overlooks the old city of Cairo

Saladin built this fortress to protect the old city of Cairo, and it mainly consists of enclosure walls and watchtowers, as well as many, many gates! As every 120m there are gates into the Citadel that were built at various times in history. The architectural plan of the fortress resembles many of the ones that were built in Syria and Palestine at the time of the Crusades. Later on, the Citadel became a major training centre for the Egyptian army.




The Citadel was neglected until the Mamluke Period, in the 14th Century, when they used it as a residence for the Sultan. Also, in that Century, the Sultan El-Naser Mohamed added many buildings, including a Mosque, inside the castle.

During the Ottoman times, the Turks installed further reinforcements, and used it as a residence for the Turkish Viceroy, as well as increasing the number of garrisons in the Citadel.



Under Mohamed Ali, there were other monuments added to the Citadel, among them the great alabaster Mosque of Mohamed Ali .






 

©2010 Egypt Lovers Data have been assembled usingwikipedia.org